Measure

I stand on the shoulders of great researchers (Bruce Cathie, Michael Joyce, John Michell, Carl Munck, Wayne Thompson, to name but a few) who have helped me on my own journey.
I will draw on their work and extend it into WRC so as to create tenable links to sacred geometry, measure, music, and cymatics.
I intend to use this information to uncover the secrets hidden in the atomic absorption spectra, so that we can better understand what a ‘transmutation’ device needs to achieve.

There is no process of transmutation as such.
Transmutation implies changing one ‘thing’ into another ‘thing’.
This is not Nature’s way.
There is only ONE thing.
So, although I will continue to use the term ‘transmutation’,
I wish to define the term as “changing the state of one thing into another state of the same one thing”

Think of sodium as a particular condition, a particular motion of light. Gold is also a particular motion of light, as are all the expressions of elements.

Question (s)

If you wish to make a coil of a particular length, and perhaps a particular resonant frequency, which measuring system would you use ?
Metres or feet ?
Which feet, English, Greek, Roman ?
Miles or Nautical miles ?
How would you tune you coil ?
To what note, frequency ?
If major chords impart a happy sound, minor chords impart a sad sound !!!
Do you think coil tuning might be important ?

The metric system does not seem to have geodesic or harmonic properties and I would therefore advise researchers not to construct any device based on this measuring system. In fact, I would go as far to say that, I suspect the metric system was introduced (for the same reason musical tuning was adjusted away from 432 hz to 440 hz) to ensure a disharmony between structure and natures natural harmonics. Strange also why the frequency in the USA is 60 hz while Europe remains on 50 hz.

 

We are all familiar with the musical scale, d ra, mi, fa, so, la, ti, do. 8 notes, an octave. Now, there is an interval between those notes which sounds and FEELS pleasant. Note, the symbiotic relationship between the physical sound and the metaphysical feeling !

The tempered musical interval for the do, ra, mi, scale is as follows,
1(P1), 1.125(M2), 1.25(M3) , 1.333(P4), 1.5(P5), 1.6667(M6), 1.875(M7), & 2(P2)

For any given tone or fundamental (P1) the next tone in the sequence is P1 * 1.125, then P1 * 1.25 … until we reach the octave tone of P1 * 2.

The full 13 note scale (Chromatic) intervals are as follows,
1(P1), 1.0594(m2), 1.1225(M2), 1.1892(m3), 1.1599 (M3), 1.3348(P4), 1.414(A4),
1.4983(P5), 1.5874(m6), 1.6817(M6), 1.7818(m7), 1.8877(M7) & 2(P2)

The full 13 note scale typical intervals are as follows,
1(P1), 1.06667(m2), 1.125(M2), 1.2(m3), 1.25(M3), 1.3333(P4), 1.4285(A4), 1.5(P5), 1.6(m6), 1.66667(M6), 1.77778(m7), 1.875(M7) & 2(P2)

The full 13 note scale typical intervals expressed as fractions are as follows,
1(P1), 16/15(m2), 9/8(M2), 6/5(m3), 5/4(M3), 4/3(P4), 10/7(A4), 3/2(P5), 8/5(m6), 5/3(M6), 16/9(m7), 15/8(M7) & 2(P2)

Chords, or a group of notes are made up as follows,

Major chord : 1,3, & 5 note in that keys scale (135)
Minor chord : 1, the flat 3rd, & 5 note of the scale
Augmented chord : 1, 3 & sharp 5th note of the scale
7th chord : 1,3 & the flat 7th note of the scale.

The 12/13 notes of the full scale in C are
1C, 2C#, 3D, 4D#, 5E, 6F, 7F#, 8G, 9G#,10A, 11Bb, 12B, 13C
The 8 notes of the octave scale for C are
1C, 3D, 5E, 6F, 8G, 10A, 12B, 13C

Current music is tuned to a fundamental frequency of 440hz, which is the frequency of the note A above middle C on a piano. This choice is not as harmonious as it once was. Imagine, the universe is broadcasting a signal at a particular frequency (not 440hz) but your radio is only tuned to 440hz, the radio will remain silent.
Imagine also, you could build a device that was tuned to a universal sacred frequency, that device might just hop off the bench !!
Division creates two opposite but balanced conditions. If the note F# is the inert gas fulcrum of an octave the the locked potential positions would develop as follows.

The inert gas is described as the seed condition because this initial starting point will divide to produce all the notes in the octave. The F# will become the F/G + 1 pairing.
The others pairing are E/A, D/B, and C°/C’ the bi-sexual double note, one octave interval.

Music was once composed, played and tuned to a fundamental frequency of 432hz. Octaves are created by doubling the frequency, so, 864hz is an octave above 432hz, while 216hz is an octave below 432hz.
To convert a sound frequency into a light frequency the sounds needs to be raised about 40 - 42 octaves.
Likewise to convert a light frequency to a sound frequency we need to divided by 40 - 42 octaves. We are used to seeing the atomic absorption fingerprints of the elements represented as light frequencies. I wonder what the elements sound like ? After all, the elements are tonal.
In what key do they manifest ?

432 Hz is my fundamental frequency of choice, not least because 432² = 186,624 miles/sec, the speed of light reproduction.

We know there are no straight lines in space. All direction is curved, spiral curves. It seems reasonable therefore, to convert the speed of light from statute miles/sec to curved nautical miles/sec.

The conversion factor to convert miles to nautical miles is 1.152. Therefore, 186,624/1.152 = 162,000 nautical miles/sec. Now, this value of 162, maybe termed the phi (1.618033989) value, and we are all aware of the occurrences of the phi ratio in the architecture of Nature’s designs. Do you think it might be a good idea to incorporate a natural logical measuring system into our designs rather that a haphazardly bundling and winding coils ?

The next string to our bow is how to convert the lines (nanometres) of the atomic absorption spectra into light frequencies (hz) and then into sound frequencies (hz).

A circle has always been defined as having 360º of arc, or 21,600 minutes of arc, or 1,296, 000 seconds of arc.
(Looks like a system based on 6 !)

A nautical mile is defined as 1 minute of arc.

According to English measure, the Earths mean meridian circumference is 24,883.2 English miles.
(186624/24883.2 = 7.5 hz, very close to the Schumann Resonance value).

So, each degree = 69.12 miles, each minute = 1.152 miles @ 5280 feet/mile = 6082.56 feet/nautical mile, and each second of arc = 101.376 feet.

24,883.2 x 5280 = 131,383,296 feet, or in nautical miles 21,600 x 6082.56 = 131,383,296 feet.

Now, the Greeks looked at this situation and offered the following modification. They increased the length of the English foot to 1.01376 to yield the following.

A nautical mile reduces from 6082.56 to 6000 Gft, and 21,600 x 6000 = 1,296,000 Gft much more geodetically pleasing, a harmonic of the precession of the equinoxes, (25920/2 = 12960).
According to the Greeks then, a second of arc = 100 feet, a nautical mile = 6000 ft and a degree of arc = 60 miles.
A system based on 6 rather than 10. (Tesla opted for a 60hz cycle for his ac system). Can any evidence of a harmonic grid be found in our solar system ? If we designed our devices to such a grid do you think we could align our designs with that of nature. Do you think that device could then constructively interfere with the grid ?
Do you think such a tuned harmonic device could inductively couple with nature ?
This is what over-unity is, a sympathetic inductive coupling between man’s devices and natures harmonic pulse.

So, if you wanted to make a coil 6000 ft long would it be better to base the coil on greek feet measures ?

Imagine a piano string 162 inches long. What length string would generate the next tones in the scale ?

Define 162 inches = 432 hz

162 / 1.125 = 144 inches (486hz)
162 / 1.25 = 129.6 inches (540hz)
162 / 1.333 = 121.5 inches (576hz)
162 / 1.5 = 108 inches (648hz)
162 / 1.667 = 97.12 inches (720hz)
162 / 1.875 = 86.4 inches (810hz)
162 / 2 = 81 inches (864hz) halving the string length, doubles the string frequency.

Do you get the impression the same numbers keep showing up. Are these repeating numbers the result of a repeating grid ?
My preference is to think in 5280 feet miles for local (flat Earth) construction. While the Greek measure may need to be applied to astronomical dimensions. 5280 is a perfect 5th of 7920, the Earths diameter.

Every cycle has, due to its time component, a wavelength. λ = 1/time.
Wavelength being the inverse of time, expressed in seconds.
From the wavelength, we can then derive the frequency of that motion
from λ = c/freq, where c = speed of light reproduction.

The Earth rotates in 24hrs, 1440 minutes or 86,400 seconds. This rotation is a harmonic of the great year cycle of 25920 years.

However, the rotation of the Earth has embedded within itself an audible frequency of 388.36 hz. Can we now assign this oscillation as the target frequency for all OU/healing devices ?

If the keynote was set to 388.36 Hz then the other notes of the scale would fall into place as,
G - 388.36, A - 436.91, B - 485.45, C - 517.81, D - 582.54, E - 647.26, F# - 728.18 and finally G’ - 776.72 hz.

If we were to examine the Earth’s revolution about the Sun then we could say, that the annual journey takes 31, 556,925.97 seconds, this would reduce down to an audible frequency of 344.12 hz, which just so happens is the F note in a 432 hz A tuned scale !

Think of these under/overtones as harmonic points within conical spirals rather than linear intervals.

There are numerous sacred numbers embedded in the harmonics above.
Just as one example, 5184 is a harmonic of the note E 324 hz.
5184 is encoded into the slope of the Great Pyramid at Giza.

 

The slope angle is 51.84°, but this is base 10.
51° = 183600 seconds of arc.
0.84 expressed in minutes and seconds of arc is 60 * 0.84 = 50 .4 (base 10) = 3000 + 24 (60*0.4) 50′ = 3000 seconds of arc and 24″ seconds.

Guess what ?
183600 + 3000 + 24 = 186624 seconds of arc or 432².
The Egyptians build their monuments in harmonic measures of light.
Why should we be any different ?

The circumference of the Earth is related to light as follows 24883.2 / 18,662.4 = 1.3333 a harmonic of a perfect 4th.

Yards of Pi and Phi

A good deal of research (Thom) has been done to determine the correct dimension of the megalithic yard at 2.727 feet. However, when pi is expressed in nautical miles (pi/1.152) = 2.727
Another interesting relationship between pi and phi is the encoded angle of the Great Pyramid.
When phi / pi = 0.515024 !!

The atomic absorption spectral line appear straight in the spectral output.

In order to visualise the musical intervals documented above (1, 1,125, 1.25, 1.333, 1.5, 1.6667, 1.875, & 2) in the context of the radial model, these intervals should be assessed as radial orbits, or circles, and then applied to the linear atomic absorption spectra in order to ascertain if there is a tonal aspect to the lines of light depicted in the spectra of the elements.

The radii of the octave is half the length, but twice the frequency of the fundamental tone.

The challenge now, is to determine if a predictable tonal pattern exists, as we progress from one elemental condition to another. The musical intervals are also valid for the light intervals of the atomic absorption spectra (AAS).
If a line appears in the AAS at 561.42nm this will transpose into a sound frequency of 486 hz or the note B.

While the hearing range of the human ear is 20 - 20,000 hz, the human eye will only detect in the range from 400 - 700nm. If the visible range were transposed down to the hearing range, it would only range from 341.06 - 389.78 hz.

It is my understanding that the ancients knew a lot more about harmonics than we give them credit for. Just as another example, take the 3456 hz harmonic of the note A. I am sure Pythagoras always looked to nature to find a solution to his mathematical problems.

The Pythagorean triangle is a harmonic of the note A, a² + b² = c². The area of the triangle turns out to be 6 (3456). Look, also the ratios, 5/4 (M3), 4/3 (P4), 5/3 (M6), 6/3 (octave), 6/4 (P5) , 6/5 (m3) are all musical intervals. Coincidence ?

What if this triangular arrangement appeared within the solar system, you would have to be impressed ?

If it looks like intelligent design, and it manifests as intelligent design, then it probably is intelligent design.
The Earth’s diameter is a perfect 5th of the English mile, 5280 x 1.5 = 7920, Mars diameter is a maj 7th of the Earth 7920/1.875 = 4222 miles.
Did you know, that the relationship between the circumference of the circle 2πr and the square surrounding that circle is 2πr *√ф, and √ф is the vertical height of the great pyramid !

The note (A) 432 hz / 1.25 = 345.6 hz (note F). 345.6 hz x 1.5 = 518.4 hz a Giza connection again.

Introduction to universal mathematics and ratio

The wave is a universal see-saw, and as such it’s motion expresses both a positive and a negative condition.

When the radius of a sphere is doubled (or halved), the area of its plane (cone base) is squared and its volume is cubed. Think of doubling or halving any dimension in terms of octaves. Increasing the length of a dimension will decrease the frequency. Likewise, halving the dimension will increase the frequency.

The universal ratios are as follows,

Area : 1, 4, 16, 64
(1 + 4 + 16 + 64 = 85)
1² = 1
1 + 1 = 2 (double), 2² = 4
2 + 2 = 4 (double), 4² = 16
4 + 4 = 8 (double), 8² = 64

Volume (4/3*π*r³): 1, 8, 64, 512
Remember 4/3 is the musical ratio P4 !
(1 + 8 + 64 + 512 = 585)
(double)³
1³ =1
2³ = 8
4³ = 64
8³ = 512

These ratios imply that if you double the radius of a body, then the volume will increase 8 fold and the internal pressure will decrease to 1/8th.
If radius = 25, then the volume = 65449, with the radius increasing to 50 the volume will increase to 523599, an 8 fold increase.

When the radius = 25, the planar area (cone base) = 1963, when r = 50 the area = 7854, a 4 fold increase.

This increase in radius is registered as cold. As the radius is doubled, the coldness of the new volume will increase, because expanding systems are cooling systems. Try to think of effects as paired effects. So, as the degree of coldness increases the expression of hotness decreases. So, as systems expand they increase in coldness and decrease in hotness. These opposite are in fact expressed simultaneously.
Now, in terms of the solar system, if a body at A moves to twice the distance (B) from its primary the dimension as measured in heat will be 1/8th of the original and the new position will be 8 times colder.

Axial rotation and orbital revolution are inversely proportional to one another. The axial rotation of the body at B will be the square of the original position at A, while it orbital revolution will the inverse square. This is because the orbit of the new position at B is so much longer, its revolution will slow, therefore its axial rotation will increase in speed to compensate, and maintain the universal constant.

Bodies near their primaries will exhibit maximum orbital revolution WITH minimal axial rotation, while bodies further away from their primaries will exhibit in the opposite manner, that is, maximum axial rotation WITH minimum orbital revolution. This is why bodies further from their primaries are more nebulous, because their increased axial rotation facilitates centrifugal equatorial expansion.
The motion of a +1 condition to a +2 condition will also follow this natural law of area and volume.

It is my understanding that this graphic tells us how to prepare for coil winding, because it makes clear we need to apply universal mathematics to the wrapping of a coil so as to correctly distribute the flux density as we motion from a 0 to a ++4 condition via +1, +2, and +3 conditions. Now, more from accident than design, look how each cube fits on top of the other, their centers are offset. This is how gravity should be divided, the center of one coil offset from the next.

All too often, I observe, beautifully wound coils with the wire evenly distributed from cone base to apex which seems to neglect the distribution called for by universal mathematics.

From the volume data above, the cone base needs to 512 times bigger than the apex and the windings needs to be 512 times more at the apex than at the cone base. This is how compression from the outside inwards is achieved. The inward pressure must be the inverse of the that experienced by the area at the cone base.
The cone base would thus have 1 winding, then 8 windings, then 64 windings and then 512, this is the exact opposite geometric architecture utilised to date.

1 winding over an area = 512 is what nebulosity is, a very low potential, distributed over a very large area. On the other hand, 512 winding wrapped around and focused on a unit area is what defines a compressed condition. Increased winding distributed over a very small area.

The distance from the apex to the cone base must be 15 units to accommodate the 585 windings.

If you wish to ‘transmute’ motion from a zero inert condition to a +2 condition, the apex must remain OPEN, so as to prevent over compression. There is no requirement to over compress.

The temperature of the sun is reported as being about 6000ºC, however if universal mathematics is correct, this is a gross underestimation. This error arises because science assumes that the manifestation of a condition with all its associated properties here on Earth is the SAME universally. No allowance is made for the compression potential vortices at the sun, or the expanding potential vortices of cold dark space, and how motion reacts to being located in each of these two extreme and opposite environments.

It you half the Earths distance from the sun from 93,000,000 miles to 45,000,000 miles you decrease the volume of the Earth by 1/8th. If this process is continued to the suns surface we have to half the Earths distance from the sun, 27 times.

Taking 25ºC as the standard temperature of the Earth, the sun’s surface temperature is 3.3 billionºC. (25 x 2^27)

In the opposite direction we have to accept that temperatures can fall well below our notion of absolute zero.
Zero K = -273ºC.

If the Earth was moved to double its current distance from the sun to 180,000,000 miles, its volume would expand 8 times, and its surface temperature would be about 298/8 = 37K or -236ºC.
If the Earth were moved to Jupiter’s location, the Earth’s surface temperature would reduce to 1.8K or -271ºC. We would cross the absolute zero border as we moved to about 600,000,000 miles and Saturn is 911,000,000 miles from the sun. In Saturn’s orbit the temperatures reach -140,000K.

Speed of Light is NOT constant !!

If the concept of changing dimension to find balance with the environment is true then all of the 18 dimensions which describe a state of motion in a particular environment must ALL adjust. Time is an illusionary dimension which only appears when division polarises opposite expressions. Time has no reason to ‘appear’ otherwise !
If the Earth was moved towards the sun, the frequencies would in general increase, though axial rotation would decrease. Time is compressed just as any other dimension is compressed in the higher compressive potential vortices at an apex.

Likewise, time would become extended in the expanses of the cone base.
Light appears to propagate at 186,624 miles/sec in THIS Earthly environment, from this perspective only. The band width of our sensing is far too narrow to then make accurate judgments of the cosmic/quantum worlds. This does not negate the old axiom ‘As Above - so below’. We just need to be careful that our observations are complete.
No manifestation of effect within the simulation is static. All motion will adjust its dimension to find balance with the surrounding metaphysical potential streams or paths. Man has certainly repeatedly measured this constant (c) and achieved the same result. However, WR teaching suggest constants do not form part of this universe of motion. Constants by their very definition imply homogeneity which is a property of Stillness and the metaphysical universe.
A constant with zero acceleration is of course possible (dc current) but that property is open to outside influences which affect its speed/momentum.

Prof. Brian Cox explaining why moving clocks run slow. This is based on the firm belief that the speed of light (c) is a constant and that our physics is the same across the cosmos. Light is not what MSS believes it to be. Incandescent motion is not light. MSS can not say the physics here on Earth is the same physics as Alpha Centauri, so why hold an apparent Earthly constant as the truth for the entire universe ? This is too big an assumption to make.

If a high potential body finds itself in a low potential environment, that body will unwind to find balance with the opposing lower pressure stream. Likewise, if a low potential (unwinding) body finds itself in a high potential environment, that body will slow its unwinding, stop, and reverse its motion in order to find balance with the unseen streams of potential pathways which fill the entire expression of the universe.

The idea of a Newtonian static reality is true, but not in the way Newton envisioned. Static or stillness is a quality of Mind not the simulation. Likewise, the Einsteinian view that motion is the only true reality is true also, but the cause of that motion lies in Stillness, not matter.

We clearly understand the each hemisphere of the Earth turns in the same direction although we might perceive one hemisphere turning CW while the other hemisphere turns ACW.

If we placed a pencil each side of the equator and moved the pencils in the direction of the respective poles as the Earth rotated. If the resultant sketch was then flatten out it would reveal a shape common throughout nature.
When the sketch is collapsed together it confirms motion is in the same direction for BOTH sides.

Music

This section will attempt to apply the qualities of musical theory (tonal character, intervals) to the different states of motion or locked potentials of matter. The content will examine the octave relationship of anodes to cathodes and whether the progression through those octaves are ascending or descending. My approach to this content appears to be in constant flux, though the basic narrative remains unchanged.

Fig : 1 indicates the balanced motion of the inert gas condition. Because of this degree of balance the condition appears undivided and thus manifest as the first perceivable matter within our physical universe. The motion is thus very close to Stillness itself.

As mentioned during our discussion on the Wave page, this undivided condition will be divided as a result of the shifting of the central fulcrum [F] towards one end, in this case [A].

During each generative half of the cycle, 4 efforts are made to shift the fulcrum [F] from the inert gas position to the lever extremity @ [A].

If the original Mind Idea was defined as 100 units of potential with 100 units of length, then the inert gas as shown in fig : 1 represents a condition an octave above the spiritual universe. We can say that fig : 1 is a representation of the note Helium !

The musical notes are created as follows.
The inert gas condition is defined as the state of motion when La = Lb. The motion is thus balanced, and a SINGLE note is generated.
The +1 generative condition is defined as the state of motion when F moves to f1 and La < Lb. An asymmetrical balanced condition is created. Two notes are thus generated to signal that division. The shorter La lever will thus produce a higher frequency AND higher pitch note, while the longer Lb lever will simultaneously produce a quieter note of longer wavelength.

The +2 generative condition is defined as the state of motion when F moves to f2 and La << Lb. The imbalance is extenuated. The treble note [La] gains pitch and frequency, while the bass note [Lb] loses pitch and increases its wavelength.

The +3 generative condition is defined as the state of motion when F moves to f3 and La <<< Lb. The imbalance is further increased. The treble note [La] gains once again in pitch and frequency, while the bass note [Lb] continues to lose pitch and increase its wavelength.

The +4 generative condition is defined as the state of motion when F moves to f4 and La <<<< Lb. Maximum imbalance is achieved. The treble note [La] has reached the shortest wavelength and the highest pitch AND the bass note [Lb] has achieved the lowest pitch and the longest wavelength.

The area under the treble peak must continue to accommodate 50 units of potential and because the area is so small the manifestation of energy appears very high. Likewise, the long wavelength bass note also accommodates 50 units of potential. But, because this potential is distributed over such a large area the energy appears very low. Appearances can be deceptive !

The concept of a universal unit of linear measure may not be very well founded simply because a nautical mile on Earth is a different measure/dimension to a nautical mile on the moon, although the definition of a nautical mile being equal to 1 minute of arc remains universally valid.
If this is true then sacred number should be evident in spherical geometry. For example, the speed of light has been defined as 186,624 linear miles/sec. This reduces to 162,000 Earth nautical miles/sec.
The slope angle of the Great Pyramid at Giza is 51.84 degrees which reduces to 51°50″24′, and expressed in seconds = 186624 seconds !
51.84 is related to the precession of the equinox (25920 years), the slope angle at Giza and the speed of light.

In short, comparison of dimension between the Earth and any other solar/galactic body should be carried out in seconds of arc rather than an Earth bound definition of liner/nautical measure. Also, any device wishing to interface with Nature must, I believe conform to common galactic measure.

Musical Clues

 

The idea of arranging the notes as a circle of 5ths is important because after a primary note is struck, it will immediately ring its own octave, but the next harmonic to sound is the 5th note of the scale. This may be denoted as a 1, 5, 2 triad.

The note sitting next to C in the chromatic scale is of course C#, but the 5th note of the C major scale is the note G. Another reason why arranging the notes in circle of 5th (red ) is because they form a continuous loop. The 5th note of F is C and the cycle continues to loop indefinitely.
Now, Nature does not really form closed circular loops, rather she forms open loops which are called spirals !

There commonality of notes manifesting every 60° as indicated in fig : 15.

An obvious connection to the Newton/Goethe colour wheel becomes apparent. Bb, F#, & D (aug D) opposed by G#, C, & E (aug C).

Notice also, the inside out symmetry between G/C# and C#G at 30°/210°, A/D# at 90°/270°, or B/F at 150°/330°. If the opposed notes of
fig : 15 turned inside-out and outside- in it would appear as a stable unchanging structure.

Now, WRC clearly advocates the inside-out, outside-in relationship between positive and negative expressions. Like a windsock blowing inside out. If that sock was red on the outside and blue on the inside, the inverse would be blue to the outside and red on the inside.

Does fig : 17 not indicate the ‘mirroring’ internal planes of symmetry as proposed by WR and propagated by the cubic wave field. In other words, if fig : 17 was dynamically oscillating inside-out and outside-in it would appear as a very stable structure.
The hexagonal ‘beehive’ geometry is also evident.
Fig : 17a indicates the 90° relationship between the inert gas condition (seed C°) and the dynamic physical universe (C’) we perceive as the universe in front of our own eyes we believe is the only real universe.

There is a major issue relating the tonal character of the elements of the periodic table as taught by WR to that of the musical scale itself.

We are aware that the musical scale is a increasing progression from note C° to its own octave C’, but the elemental
progression from He to Ne increases to carbon but then decreases from carbon to Ne as compressive generation gives way to radiative expansion !

As things stand, we cannot correlate the notes G, A, & B (increasing frequency) with the radiative, expanding elements N, O & F !!

There is though a very important lesson to learn here and it concerns how we interpret wave motion. The expansive, radiative cycle can only come into being after potential has accumulated. If heat (through centripetal compression) has not occurred then radiation cannot manifest.
Fig : 18 also implies that carbon the apex element is also acting as the pivot (fulcrum) element. This cannot be true. The implication of this is that the halogen/inert group of elements should be relocated into a more central position within the periodic table !
A potentially more serious implication is that the expanding series of elements (N, O, & F) belong to the octave below helium. This ensures helium acts as the pivoting fulcrum. C, N, O, F, He, Li, Be, B, C.
However, if this sequence is re-aligned you can indeed arrive back a series which appears to have carbon as the pivot. He, Li, Be, B, C, C, N, O, F, He.

A way to resolve this issue is to consider the ascending scale and the descending scale inside one another. As we proceed from the inert gas condition C° out to maximum compression and back again to the inert gas horizontal wave axis C° we should skip alternate notes as follows.

So, the notes of the ascending scale are C°, D, F, A & C’, while the notes of the descending scale are C’, B, G, E & C°. this now gives us a realistic tonal interval between the generative and radiative conditions and a clue to designing these intervals into resonant coils.
Fig : 18b describes how two anodic conditions may be expressed as tonal intervals. Each direction is a generative, centripetal, ascending sequence.

Expansion starting with the keynote inert gas condition is not the message offered by WR. division across the zero wave axis creates two positive anode expressions, one is the reverse of the other.

If we assign an undivided wave as the seed condition of the metaphysical universe, then the divided wave may be assigned to the inert gas condition which comes into manifest one octave higher than ‘stillness’.

The bi-anode wave form indicated in fig : 20 is now shown as an oscillating standing wave form in fig : 21 which represents the inert gas condition. The full undivided wave of the spiritual universe serves as the ‘negative’ seed condition. This full wave length condition is what UNIONISATION is attempting to achieve within the physical universe. The division indicated in fig : 21 produces two half wave lengths, and neither one of those shorter waves tell the full story of the seed condition. This can only be done when two wavefields unite to reestablish the full wave length condition hence replicating in the physical an exact copy of the metaphysical seed condition.

Notice, the right side of fig : 21 indicates a very balanced inert gas condition. Each side of the wave function is symmetrical. If that central fulcrum is shifted towards either one of the corners then two asymmetric wave forms are created. The shorter wave form will have a higher frequency and higher tone/pitch, while the other half will have a longer wavelength and lower tone/pitch. The original conditions of the inert gas are thus redistributed (concertation of energy) to express this new two asymmetric wave forms dynamic.

The reason carbon is a bi-sexual element is because there are two ways to arrive at the carbon condition.

Route 1 (assigned male ) ascends from C° through E, G, B to C’ while,
Route 2 (assigned female) ascends from C° through D, F, A to C’.
One route may now be defined as male, and the other female, although both are ASCENDING, GENERATIVE, GROWING routes just as male/female (0 - 40 years) bodies are.

Route 1 male expressions unwind via C’, A, F, D back to C°. Likewise, route 2 female expression unwind from C’ back to C° via B, G, & E.

When the scale is ascending from C°, E, G, B, to C’ physical maleness is expressed but when that same scale is DESCENDING then a switch occurs and this unwind scale represents the female radiative cycle.

 

Fig : 22 represents the generative followed by (sequential) the radiative cycle for physical maleness. The trend above and below the horizontal wave axis is the same.

 

Fig : 22a represents how two ascending wave can unite to complete a simultaneous waveform. Notice, how both route 1/2 are present and each one is ascending to maturity as all male/female adults do !
The octave note C’ contains within it all the notes of the octave.
The C’ octave condition of carbon contains therefore all the elements of the octave, just as the inert gas helium does !

 

Once the octave condition has fully matured, then the radiative half of the cycle can commence.
Fig : 23 indicates this unwinding sequence.

 

 

Notice, how the ASCENDING scale for one half cycle becomes the DESCENDING scale for the radiative cycle !

Another way to express the above sequencing is indicated in fig : 24.

 

Fig : 24 alone will open the door to a sizeable portion of Walter Russell’s Cosmology. It indicates both the simultaneous and the sequential aspects of EVERY wave cycle.

Physical maleness has a positive and a negative aspect.
Its positive aspect is revealed by the ascending C°, E, G, B, to C’ AND a descending aspect highlighted as C’, A, F, D to C°.
Likewise, the female physical body is manifested as an ascending C°, D, F, A to C’ AND descending C’, B, G, E to C° scale.
WR teaches that sexed mates are inside-out and reversed opposites of each other, as indicated in fig : 24.

Fig : 24a highlights how two mature generative streams are necessary for union, and how they each reverse/inside-out to unwind back to the ground state of the inert gas.

Read figs 25/25a as follows.

C, D, E, F, G A, B, C°, D, E, F, G, A, B, C’
Bass notes - Inert Gas - Treble notes

When division of the inert gas occurs, the male generative cycle is paired as follows,
+1 = treble D note + bass B note
+2 = treble F note + bass G note
+3 = treble A note + bass E note
+4 = treble C’ note + bass C note

the female generative cycle is paired as follows,
+1 = treble E note + bass A note
+2 = treble G note + bass F note
+3 = treble B note + bass D note
+4 = treble C’ note + bass C note

The direction of N or S is not associated with any particular note, rather the direction of N is DEFINED by the sequence of the notes.
Ascending notes point to North, the opposite direction is always south.
Descending notes point in the direction of south, and the opposite direction is always north. Notice how the ascending sequences E, G, and B imply the note B is the direction of north, but also the ascending sequence D, F, A implies the note A is the direction of north.
This is why WR is at pains to point out that division creates two positive anode conditions, one male (B) and one female (A). See fig : 24.

So if fig : 25 was cut across the G middle note, the ascending/descending sequence is unaffected, and we continue to perceive N/S poles for each half.

The direction of north is always generative, ascending and centripetal, while the direction of south is always radiating, descending and centrifugal.

Fig : 26 will be further developed to reveal how spheres are formed.

To finish this section we can now say the following about male/female physical bodies.

 

 

 

 

 

 

Figs : 26/28/29/30/31 are all saying the same thing, although the radiative is expressed with a different orientation. WR is not always clear about this in his own drawings.

 

Tip 2

Imagine a 10 minute piece of music. The piece played at the correct tempo has rhythm, timbre, soul that induce an emotional response. Let’s define this standard 10 min. piece of music as 1 unit of light.
The notes comprising this piece of music appear out of silence and disappear into that same silence in a cyclic rhythmic fashion.
Now, let’s compress this piece of music from 10 minutes down to 1 second and allow it to play ! This unit of light has been compressed into the x-ray/gamma ray range. Exactly the same information is present which is delivered in 1 second rather than 10 minutes !
Imagine now, the emotional response this 1 second burst would produce !
Likewise, if that piece of music we extended from 10 minutes to 1 year ! Imagine that sound and consequent musical response !
Although all the information is present, albeit as very long wavelengths, all mood, tone, feel and soul would be lost to the normal ear !
Does this simple analogy not describe ALL OF CREATION ?

When the music is delivered in 1 second we experience x-rays, when delivered in 10 minutes we experience visible, audible information, and when delivered in 1 year we experience ELF. Space is not empty, nor is it a vacuum.